(Image courtesy of Michael Sullivan – check out his post on editing here)
I have a love/hate relationship with editing (please tell me I am not the only one!). Sometimes I feel that I am invested in every single word I wrote like I gave birth to it. As a result I hang on to words and entire scenes that should have been relegated to the virtual recycle bin in the sky.
But sometimes I really feel that all of the words, the detail, matters. Not in a Dickensian getting-paid-by-the-word kind of way but in a rounding out the story, the poem, the message that I am trying to capture and share kind of way.
And so, I would like to ask a favor of you. Please read the two following versions of a poem from my recent feral writing class (they are short, I promise) and just indicate in the poll below whether you prefer version one (longer) or version two (minimalist). Which speaks to you or resonates? If you would be willing to leave specific notes on why you prefer one over the other I would be eternally grateful, but if you only have a second please click on the one question poll – and thank you!
Hibernation (Version One – Long)
Fall is in the air.
Walks through the park
Crunching leaves beneath our feet,
Pumpkin-spice lattes
And bonfires
Will give way
To hearty soups,
Strong black tea,
Wool sweaters,
An extra down comforter
Heavy on the bed.
Coming soon
Snowbound afternoons
Reading away the hours
Or the days.
Rich colors
And textures of
Cashmere, flannel
And velvet.
Night falling early
With long, fire-lit
Evenings
To write
Or linger with each other
Long touches,
Whispers,
Unhurried kisses
In the long dark
Of our hibernation
Hibernation (Version Two – Minimalist)
Fall is in the air.
Hearty soups,
Strong black tea,
Wool sweaters,
An extra down comforter
Heavy on the bed.
Evenings
To write
Or linger with touches,
Whispers,
Unhurried kisses
In the long dark
Of our hibernation